Abstract:
Arabic calligraphy is more than a mere tool for communication; it is the visual embodiment of the Divine Word and the most distinctive aesthetic expression of Islamic civilization. This paper explores the multi-dimensional role of Arabic calligraphy as a vehicle for cultural identity and a catalyst for civilizational development across the Islamic world. By examining its evolutionary stages from the early Kufic scripts used in the first Qur'anic codices to the sophisticated Nastaliq and Thuluth styles the research highlights how calligraphy transcended linguistic boundaries to unite diverse ethnic groups under a single spiritual and aesthetic umbrella. Utilizing a comprehensive review of historical and contemporary literature, the study investigates the integration of calligraphy in architecture, religious spaces, and modern "Calligraffiti," demonstrating its resilience and adaptability. The analysis reveals that calligraphy served as a primary medium for Da’wah, education, and the preservation of the Mushaf, while also acting as a symbol of resistance and identity in regions ranging from Andalusia to Indonesia. Ultimately, the paper argues that Arabic calligraphy remains a living heritage that bridges the gap between traditional Islamic values and contemporary artistic expression, ensuring the continuity of Islamic cultural identity in a globalized world.
DOI: https://www.doi.org/10.57233/djfafais.2026.v22i02.019
author/Busari Kehinde Kamorudeen
journal/Degel 22(2) | October 2026 |
